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The Secret of the Tower by Hope, Anthony - Chapter 12

CHAPTER XII

THE SECRET OF THE TOWER


The scene presented by the interior of the Tower, when Beaumaroy softly
opened the door and signed to Doctor Mary to step forward and look, was
indeed a strange one, a ridiculous yet pathetic mockery of grandeur.

The building was a circular one, rising to a height of some thirty-five
feet and having a diameter of about ten. Up to about twelve feet from the
floor its walls were draped with red and purple stuffs of coarse
material; above them the bare bricks and the rafters of the roof showed
naked. In the middle of the floor, with their backs to the door at which
Mary and her companion stood, were set two small armchairs of plain and
cheap make. Facing them, on a rough dais about three feet high and with
two steps leading up to it, stood a large and deep carved oaken
armchair. It too was upholstered in purple, and above and around it were
a canopy and curtains of the same color. This strange erection was set
with its back to the one window--that which Mr. Saffron had caused to be
boarded up soon after he entered into occupation. The place was lighted
by candles--two tall standards of an ecclesiastical pattern, one on
either side of the great chair or throne, and each holding six large
candles, all of which were now alight and about half-consumed. On the
throne, his spare wasted figure set far back in the recesses of its deep
cushioned seat and his feet resting on a high hassock, sat old Mr.
Saffron; in his right hand he grasped a scepter, obviously a theatrical
"property," but a handsome one, of black wood with gilt ornamentation;
his left arm he held close against his side. His eyes were turned up
towards the room; his lips were moving as though he were talking, but no
sound came.

Such was Doctor Mary's first impression of the scene; but the next moment
she took in another feature of it, not less remarkable. To the left of
the throne, to her right as she stood in the doorway facing it, there was
a fireplace; an empty grate, though the night was cold. Immediately in
front of it was, unmistakably, the excavation in the floor which Mr.
Penrose had described at the Christmas dinner-party at Old Place--six
feet in length by three in breadth, and about four feet deep. Against the
wall, close by, stood a sheet of cast iron, which evidently served to
cover and conceal the aperture; by it was thrown down, in careless
disorder, a strip of the same dull red baize as covered the rest of the
floor of the Tower. By the side of the sheet and the piece of carpet
there was an old brown leather bag.

Tradition, and Mr. Penrose, had told the truth. Here without doubt was
Captain Duggle's grave, the grave he had caused to be dug for himself,
but which--be the reason what it might---his body had never occupied. Yet
the tomb was not entirely empty. The floor of it was strewn with gold, to
what depth Mary could not tell, but it was covered with golden
sovereigns; there must be thousands of them. They gleamed under the light
of the candles.

Mary turned, startled, inquiring, apprehensive eyes on Beaumaroy. He
pressed her arm gently, and whispered:

"I'll tell you presently. Come in. He'll notice us, I expect, in a
minute. Mind you curtsey when he sees you!" He led her in, pulling the
door to after him, and placed her and himself in front of the two small
armchairs opposite Mr. Saffron's throne.

Beaumaroy removed his hand from her arm, but she caught his wrist in one
of hers and stood there, holding on to him, breathing quickly, her eyes
now set on the figure on the throne.

The old man's lips had ceased to move; his eyes had closed; he lay back
in the deep seat, inert, looking half-dead, very pale and waxen in the
face. For what seemed a long time he sat thus, motionless and almost
without signs of life, while the two stood side by side before him. Mary
glanced once at Beaumaroy; his lips were apart in that half humorous,
half compassionate smile; there was no hint of impatience in his bearing.

At last Mr. Saffron opened his eyes, and saw them; there was intelligence
in his look, though his body did not move. Mary was conscious of a low
bow from Beaumaroy; she remembered the caution he had given her, and
herself made a deep curtsey; the old man made a slight inclination of his
handsome white head. Then, after another long pause, a movement passed
over his body--excepting his left arm. She saw that he was trying to rise
from his seat, but that he had barely the strength to achieve his
purpose. But he persisted in his effort, and in the end rose slowly and
tremulously to his feet.

Then, utterly without warning, in a sudden and shocking burst of that
high, voluble, metallic speech which Captain Alec had heard through the
ceiling of the parlor, he began to address them, if indeed it were they
whom he addressed, and not some phantom audience of Princes, Marshals,
Admirals, or trembling sheep-like re emits. It was difficult to hear the
words, hopeless to make out the sense. It was a farrago of nonsense, part
of his own inventing, part (as it seemed) wild and confused reminiscences
of the published speeches of the man he aped, all strung together on some
invisible thread of insane reasoning, delivered with a mad vehemence and
intensity that shook and seemed to rend his feeble frame.

"We must stop him, we must stop him," Mary suddenly whispered. "He'll
kill himself if he goes on like this!"

"I've never been able to stop him," Beaumaroy whispered back. "Hush! If
he hears us speaking he'll be furious, and carry on worse."

The old man's blue eyes fixed themselves on Beaumaroy--of Mary he took no
heed. He pointed at Beaumaroy with his scepter, and from him to the
gleaming gold in Captain Duggle's grave. A streak of coherency, a strand
of mad logic, now ran through his hurtling words; the money was there,
Beaumaroy was to take it--to-day, to-day!--to take it to Morocco, to
raise the tribes, to set Africa aflame. He was to scatter it--broadcast,
broadcast! There was no end to it--don't spare it! "There's millions,
millions of it!" he shouted, and achieved a weird wild majesty in a final
cry, "God with us!"

Then he fell--tumbled back in utter collapse into the recesses of the
great chair. His scepter fell from his nerveless hand and rolled down the
steps of the dais; the impetus it gathered carried it, rolling still,
across the floor to the edge of the open pit; for an instant it lay
poised on the edge, and then fell with a jangle of sound on the carpet of
golden coins that lined Captain Duggle's grave.

"Quick! Get my bag--I left it in the passage," whispered Mary, as she
started forward, up the dais, to the old man's side. "And brandy, if
you've got it," she called after Beaumaroy, as he turned to the door to
do her bidding.

Beaumaroy was gone no more than a minute. When he came back, with the bag
hitched under his arm, a decanter of brandy in one band and a glass in
the other, Mary was leaning over the throne, with her arm round the old
man. His eyes were open, but he was inert and motionless. Beaumaroy
poured out some brandy, and gave it into Mary's free hand. But when Mr.
Saffron saw Beaumaroy by his side, he gave a sudden twist of his body,
wrenched himself away from Mary's arm, and flung himself on his trusted
friend. "Hector, I'm in danger! They're after me! They'll shut me up!"

Beaumaroy put his strong arms about the frail old body. "Oh no, sir, oh,
no!" he said in low, comforting, half-bantering tones. "That's the old
foolishness, sir, if I may so say. You're perfectly safe with me. You
ought to trust me by now, sir, really you ought."

"You swear, you swear it's all right, Hector?"

"Right as rain, sir," Beaumaroy assured him cheerfully.

Very feebly the old man moved his right hand towards the open grave.
"Plenty--plenty! All yours, Hector! For--for the Cause--God's with us!"
His head fell forward on Beaumaroy's breast; for an instant again he
raised it, and looked in the face of his friend. A smile came on his
lips. "I know I can trust you. I'm safe with you, Hector." His head fell
forward again; his whole body was relaxed; he gave a sigh of peace.
Beaumaroy lifted him in his arms and very gently set him back in his
great chair, placing his feet again on the high footstool.

"I think it's all over," he said, and Mary saw tears in his eyes.

Then Mary herself collapsed; she sank down on the dais and broke into
weeping. It had all been so pitiful, and somehow so terrible. Her quick
tumultuous sobbing sounded through the place which the vibrations of the
old man's voice had lately filled.

She felt Beaumaroy's hand on her shoulder. "You must make sure," he said,
in a low voice. "You must make your examination."

With trembling hands she did it--she forced herself to it, Beaumaroy
aiding her. There was no doubt. Life had left the body which reason had
left long before. His weakened heart had not endured the last strain of
mad excitement. The old man was dead.

Her face showed Beaumaroy the result of her examination, if he had ever
doubted of it. She looked at him, then made a motion of her hand towards
the body. "We must--we must--" she stammered, the tears still rolling
down her cheeks.

"Presently," he said. "There's plenty of time. You're not fit to do that
now--and no more am I, to tell the truth. We'll rest for half an hour,
and then get him upstairs, and--and do the rest. Come with me!" He put
his hand lightly within her arm. "He will rest quietly on his throne for
a little while. He's not afraid any more. He's at rest."

Still with his arm in Mary's, he bent forward and kissed the old man on
the forehead. "I shall miss you, old friend," he said. Then, with gentle
insistence, he led Mary away. They left the old man, propped up by the
high stool on which his feet rested, seated far back in the great chair,
hard by Captain Duggle's grave, where the scepter lay on a carpet of
gold. The tall candles burnt on either side of his throne, imparting a
far-off semblance of ceremonial state.

Thus died, unmarried, in the seventy-first year of his age, Aloysius
William Saffron, formerly of Exeter, Surveyor and Auctioneer. He had run,
on the whole, a creditable course; starting from small beginnings, and
belonging to a family more remarkable for eccentricity than for any solid
merit, he had built up a good practice; he had made money and put it by;
he enjoyed a good name for financial probity. But he was held to be a
vain, fussy, self-important, peacocky fellow; very self-centered also and
(as Beaumaroy had indicated) impatient of the family and social
obligations which most men recognize, even though often unwillingly. As
the years gathered upon his head, these characteristics were intensified.
On the occasion of some trifling set-back in business--a rival cut him
out in a certain negotiation--He threw up everything and disappeared from
his native town. Thenceforward nothing was heard of him there, save that
he wrote occasionally to his cousin, Sophia Radbolt, and her husband,
both of whom he most cordially hated, whose claims to his notice, regard,
or assistance he had, of late years at least, hotly resented. Yet he
wrote to them--wrote them vaunting and magniloquent letters, hinting
darkly of great doings and great riches. In spite of their opinion of
him, the Radbolts came to believe perhaps half of what he said; he was
old and without other ties; their thirst for his money was greedy.
Undoubtedly the Radbolts would dearly have loved to get hold of him
and--somehow--hold him fast.

When he came to Tower Cottage--it was in the first year of the war--he
was precariously sane; it was only gradually that his fundamental and
constitutional vices and foibles turned to a morbid growth. First came
intensified hatred and suspicion of the Radbolts--they were after him and
his money! Then, through hidden processes of mental distortion, there
grew the conviction that he was of high importance, a great man, the
object of great conspiracies, in which the odious Radbolts were but
instruments. It was, no doubt, the course of public events, culminating
in the Great War, which gave to his mania its special turn, to his
delusion its monstrous (but, as Doctor Mary was aware, by no means
unprecedented) character. By the time of his meeting with Beaumaroy the
delusion was complete; through all the second half of 1918 he
followed--so far as his mind could now follow anything rationally--in his
own person and fortunes the fate of the man whom he believed himself to
be, appropriating the hopes, the fears, the imagined ambitions, the
physical infirmity, of that self-created other self.

But he wrapped it all in deep secrecy, for, as the conviction of his true
identity grew complete, his fears were multiplied. Radbolts indeed! The
whole of Christendom--Principalities and Powers--were on his track. They
would shut him up, kill him perhaps! Cunningly he hid his secret--save
what could not be entirely hidden, the physical deformity. But he hid it
with his shawl; he never ate out of his own house; the combination
knife-and-fork was kept sedulously hidden. Only to Beaumaroy did he
reveal the hidden thing; and, later, on Beaumaroy's persuasion, he let
into the portentous secret one faithful servant--Beaumaroy's unsavory
retainer, Sergeant Hooper.

He never accepted Hooper as more than a distasteful necessity--somebody
must wait on him and do him menial service; he was not feared, indeed,
for surely such a dog would not dare to be false, but cordially disliked.
Beaumaroy won him from the beginning. Whom he conceived him to be
Beaumaroy himself never knew, but he opened his heart to him
unreservedly. Of him he had no suspicion; to him he looked for safety and
for the realization of his cherished dreams. Beaumaroy soothed his
terrors and humored him in all things--what was the good of doing
anything else, asked Beaumaroy's philosophy. He loved Beaumaroy far more
than he had loved anybody except himself in all his life. At the end,
through the wild tangle of mad imaginings, there ran this golden thread
of human affection; it gave the old man hours of peace, sometimes almost
of sanity.

So he came to his death, directly indeed of a long-standing organic
disease, yet veritably self-destroyed. And so he sat now, dead amidst his
shabby parody of splendor. He had done with thrones; he had even done
with Tower Cottage--unless indeed his pale shade were to hold nocturnal
converse with the robust and flamboyant ghost of Captain Duggle; the one
vaunting his unreal vanished greatness, mouthing orations and mimicking
pomp; the other telling, in language garnished with strange and horrible
oaths, of those dark and lurid terrors which once had driven him from
this very place, leaving it ablaze behind. A strange couple they would
make, and strange would be their conversation!

Yet the tenement which had housed the old man's deranged spirit, empty as
now it was--aye, emptier than Duggle's tomb--was still to be witness of
one more earthly scene and unwittingly bear part in it.