CHAPTER LXVII.
In solo vivendi causa palato est.
--Juvenal.
They would talk of nothing but high life, and high-lived
company; with other fashionable topics, such as pictures,
taste, Shakspeare, and the musical glasses.
--Vicar of Wakefield.
The reflections which closed the last chapter, will serve to show that I
was in no very amiable or convivial temper, when I drove to Lord
Guloseton's dinner. However, in the world, it matters little what may be
our real mood, the mask hides the bent brow and the writhing lip.
Guloseton was stretched on his sofa, gazing with upward eye at the
beautiful Venus which hung above his hearth. "You are welcome, Pelham; I
am worshipping my household divinity!"
I prostrated myself on the opposite sofa, and made some answer to the
classical epicure, which made us both laugh heartily. We then talked of
pictures, painters, poets, the ancients, and Dr. Henderson on Wines; we
gave ourselves up, without restraint, to the enchanting fascination of
the last-named subject, and our mutual enthusiasm confirming our
cordiality, we went down stairs to our dinner, as charmed with each other
as boon companions always should be.
"This is comme il faut," said I, looking round at the well filled table,
and the sparkling spirits immersed in the ice-pails, "a genuine friendly
dinner. It is very rarely that I dare entrust myself to such extempore
hospitality--miserum est aliena vivere quadra;--a friendly dinner, a
family meal, are things from which I fly with undisguised aversion. It is
very hard, that in England, one cannot have a friend on pain of being
shot or poisoned; if you refuse his familiar invitations, he thinks you
mean to affront him, and says something rude, for which you are forced to
challenge him; if you accept them, you perish beneath the weight of
boiled mutton and turnips, or--"
"My dear friend," interrupted Guloseton, with his mouth full, "it is very
true; but this is no time for talking, let us eat."
I acknowledged the justice of the rebuke, and we did not interchange
another word beyond the exclamations of surprise, pleasure, admiration,
or dissatisfaction, called up by the objects which engrossed our
attention, till we found ourselves alone with our dessert.
When I thought my host had imbibed a sufficient quantity of wine, I once
more renewed my attack. I had tried him before upon that point of vanity
which is centered in power, and political consideration, but in vain; I
now bethought me of another.
"How few persons there are," said I, "capable of giving even a tolerable
dinner--how many capable of admiring one worthy of estimation. I could
imagine no greater triumph for the ambitious epicure, than to see at his
board the first and most honoured persons of the state, all lost in
wonder at the depth, the variety, the purity, the munificence of his
taste; all forgetting, in the extorted respect which a gratified palate
never fails to produce, the more visionary schemes and projects which
usually occupy their thoughts;--to find those whom all England are
soliciting for posts and power, become, in their turn, eager and craving
aspirants for places--at his table;--to know that all the grand movements
of the ministerial body are planned and agitated over the inspirations of
his viands and the excitement of his wine--from a haunch of venison, like
the one of which we have partaken to-day, what noble and substantial
measures might arise? From a saute de foie, what delicate subtleties of
finesse might have their origin? from a ragout a la financiere, what
godlike improvements in taxation? Oh, could such a lot be mine, I would
envy neither Napoleon for the goodness of his fortune, nor S--for the
grandeur of his genius."
Guloseton laughed. "The ardour of your enthusiasm blinds your philosophy,
my dear Pelham; like Montesquieu, the liveliness of your fancy often
makes you advance paradoxes which the consideration of your judgment
would afterwards condemn. For instance, you must allow, that if one had
all those fine persons at one's table, one would be forced to talk more,
and consequently to eat less; moreover, you would either be excited by
your triumph, or you would not, that is indisputable; if you are not
excited you have the bore for nothing; if you are excited you spoil your
digestion: nothing is so detrimental to the stomach as the feverish
inquietude of the passions. All philosophies recommend calm as the to
kalon of their code; and you must perceive, that if, in the course you
advise, one has occasional opportunities of pride, one also has those of
mortification. Mortification! terrible word; how many apoplexies have
arisen from its source! No, Pelham, away with ambition; fill your glass,
and learn, at last, the secret of real philosophy."
"Confound the man!" was my mental anathema.--"Long life to the Solomon of
sautes," was my audible exclamation.
"There is something," resumed Guloseton, "in your countenance and manner,
at once so frank, lively, and ingenuous, that one is not only
prepossessed in your favour, but desirous of your friendship. I tell you,
therefore, in confidence, that nothing more amuses me than to see the
courtship I receive from each party. I laugh at all the unwise and
passionate contests in which others are engaged, and I would as soon
think of entering into the chivalry of Don Quixote, or attacking the
visionary enemies of the Bedlamite, as of taking part in the fury of
politicians. At present, looking afar off at their delirium, I can
ridicule it; were I to engage in it, I should be hurt by it. I have no
wish to become the weeping, instead of the laughing, philosopher. I sleep
well now--I have no desire to sleep ill. I eat well--why should I lose my
appetite? I am undisturbed and unattacked in the enjoyments best suited
to my taste--for what purpose should I be hurried into the abuse of the
journalists and the witticisms of pamphleteers? I can ask those whom I
like to my house--why should I be forced into asking those whom I do not
like? In fine, my good Pelham, why should I sour my temper and shorten my
life, put my green old age into flannel and physic, and become, from the
happiest of sages, the most miserable of fools? Ambition reminds me of
what Bacon says of anger--'It is like rain, it breaks itself upon that
which it falls on.' Pelham, my boy, taste the Chateau Margot."
However hurt my vanity might be in having so ill succeeded in my object,
I could not help smiling with satisfaction at my entertainer's principles
of wisdom. My diplomatic honour, however, was concerned, and I resolved
yet to gain him. If, hereafter, I succeeded, it was by a very different
method than I had yet taken; meanwhile, I departed from the house of this
modern Apicius with a new insight into the great book of mankind, and a
new conclusion from its pages; viz. that no virtue can make so perfect a
philosopher as the senses; there is no content like that of the epicure--
no active code of morals so difficult to conquer as the inertness of his
indolence; he is the only being in the world for whom the present has a
supremer gratification than the future.
My cabriolet soon whirled me to Lady Roseville's door; the first person I
saw in the drawing-room, was Ellen. She lifted up her eyes with that
familiar sweetness with which they had long since began to welcome me.
"Her brother may perish on the gibbet!" was the thought that curdled my
blood, and I bowed distantly and passed on.
I met Vincent. He seemed dispirited and dejected. He already saw how ill
his party had succeeded; above all, he was enraged at the idea of the
person assigned by rumour to fill the place he had intended for himself.
This person was a sort of rival to his lordship, a man of quaintness and
quotation, with as much learning as Vincent, equal wit, and--but that
personage is still in office, and I will say no more, lest he should
think I flatter.
To our subject. It has probably been observed that Lord Vincent had
indulged less of late in that peculiar strain of learned humour formerly
his wont. The fact is, that he had been playing another part; he wished
to remove from his character that appearance of literary coxcombry with
which he was accused. He knew well how necessary, in the game of
politics, it is to appear no less a man of the world than of books; and
though he was not averse to display his clerkship and scholastic
information, yet he endeavoured to make them seem rather valuable for
their weight, than curious for their fashion. How few there are in the
world who retain, after a certain age, the character originally natural
to them! We all get, as it were, a second skin; the little foibles,
propensities, eccentricities, we first indulged through affectation,
conglomerate and encrust till the artificiality grows into nature.
"Pelham," said Vincent, with a cold smile, "the day will be your's; the
battle is not to the strong--the whigs will triumph. 'Fugere Pudor,
verumque, fidesque; in quorum subiere locum fraudesque dolique
insidioeque et vis et amor sceleratus habendi.'"
"A pretty modest quotation," said I. "You must allow at least, that the
amor sceleratus habendi was also, in some moderate degree, shared by the
Pudor and Fides which characterize your party; otherwise, I am at a loss
how to account for the tough struggle against us we have lately had the
honour of resisting."
"Never mind," replied Vincent, "I will not refute you,
"'La richesse permet une juste fierte, Mais il faut etre souple avec la
pauvrete.' It is not for us, the defeated, to argue with you the victors.
But pray, (continued Vincent, with a sneer which pleased me not), pray,
among this windfall of the Hesperian fruit, what nice little apple will
fall to your share?"
"My good Vincent, don't let us anticipate; if any such apple should come
into my lap, let it not be that of discord between us."
"Who talks of discord?" asked Lady Roseville, joining us.
"Lord Vincent," said I, "fancies himself the celebrated fruit, on which
was written, detur pulcerrimoe, to be given to the fairest. Suffer me
therefore, to make him a present to your ladyship."
Vincent muttered something which, as I really liked and esteemed him, I
was resolved not to hear; accordingly I turned to another part of the
room: there I found Lady Dawton--she was a tall, handsome woman, as proud
as a liberal's wife ought to be. She received me with unusual
graciousness, and I sat myself beside her. Three dowagers, and an old
beau of the old school, were already sharing the conversation with the
haughty countess. I found that the topic was society.
"No," said the old beau, who was entitled Mr. Clarendon, "society is very
different from what it was in my younger days. You remember, Lady Paulet,
those delightful parties at D--House? where shall we ever find any thing
like them? Such ease, such company--even the mixture was so piquant, if
one chanced to sit next a bourgeois, he was sure to be distinguished for
his wit or talent. People were not tolerated, as now, merely for their
riches."
"True," cried Lady Dawton, "it is the introduction of low persons,
without any single pretension, which spoils the society of the present
day!" And the three dowagers sighed amen, to this remark.
"And yet," said I, "since I may safely say so here without being
suspected of a personality in the shape of a compliment, don't you think,
that without any such mixture, we should be very indifferent company? Do
we not find those dinners and soirees the pleasantest where we see a
minister next to a punster, a poet to a prince, and a coxcomb like me
next to a beauty like Lady Dawton? The more variety there is in the
conversation, the more agreeable it becomes."
"Very just," answered Mr. Clarendon; "but it is precisely because I wish
for that variety that I dislike a miscellaneous society. If one does not
know the person beside whom one has the happiness of sitting, what
possible subject can one broach with any prudence. I put politics aside,
because, thanks to party spirit, we rarely meet those we are strongly
opposed to; but if we sneer at the methodists, our neighbour may be a
saint--if we abuse a new book, he may have written it--if we observe that
the tone of the piano-forte is bad, his father may have made it--if we
complain of the uncertainty of the banking interest, his uncle may have
been gazetted last week. I name no exaggerated instances; on the
contrary, I refer these general remarks to particular individuals, whom
all of us have probably met. Thus, you see, that a variety of topics is
prescribed in a mixed company, because some one or other of them will be
certain to offend."
Perceiving that we listened to him with attention, Mr. Clarendon
continued--"Nor is this more than a minor objection to the great mixture
prevalent amongst us: a more important one may be found in the universal
imitation it produces. The influx of common persons being once permitted,
certain sets recede, as it were, from the contamination, and contract
into very diminished coteries. Living familiarly solely amongst
themselves, however they may be forced into visiting promiscuously, they
imbibe certain manners, certain peculiarities in mode and words--even in
an accent or a pronunciation, which are confined to themselves; and
whatever differs from these little eccentricities, they are apt to
condemn as vulgar and suburban. Now, the fastidiousness of these sets
making them difficult of intimate access, even to many of their superiors
in actual rank, those very superiors, by a natural feeling in human
nature, of prizing what is rare, even if it is worthless, are the first
to solicit their acquaintance; and, as a sign that they enjoy it, to
imitate those peculiarities which are the especial hieroglyphics of this
sacred few. The lower grades catch the contagion, and imitate those they
imagine most likely to know the proprietes of the mode; and thus manners,
unnatural to all, are transmitted second-hand, third-hand, fourth-hand,
till they are ultimately filtered into something worse than no manners at
all. Hence, you perceive all people timid, stiff, unnatural, and ill at
ease; they are dressed up in a garb which does not fit them, to which
they have never been accustomed, and are as little at home as the wild
Indian in the boots and garments of the more civilized European."
"And hence," said I, "springs that universal vulgarity of idea, as well
as manner, which pervades all society--for nothing is so plebeian as
imitation."
"A very evident truism!" said Clarendon--"what I lament most, is the
injudicious method certain persons took to change this order of things,
and diminish the desagremens of the mixture we speak of. I remember well,
when Almack's was first set up, the intention was to keep away the rich
roturiers from a place, the tone of which was also intended to be
contrary to their own. For this purpose the patronesses were instituted,
the price of admission made extremely low, and all ostentatious
refreshments discarded: it was an admirable institution for the interests
of the little oligarchy who ruled it--but it has only increased the
general imitation and vulgarity. Perhaps the records of that institution
contain things more disgraceful to the aristocracy of England, than the
whole history of Europe can furnish. And how could the Monsieur and
Madame Jourdains help following the servile and debasing example of
Monseigneur le Duc et Pair?"
"How strange it is," said one of the dowagers, "that of all the novels on
society with which we are annually inundated, there is scarcely one which
gives even a tolerable description of it."
"Not strange," said Clarendon, with a formal smile, "if your ladyship
will condescend to reflect. Most of the writers upon our little, great
world, have seen nothing of it: at most, they have been occasionally
admitted into the routs of the B.'s and C.'s, of the second, or rather
the third set. A very few are, it is true, gentlemen; but gentlemen, who
are not writers, are as bad as writers who are not gentlemen. In one
work, which, since it is popular, I will not name, there is a stiffness
and stiltedness in the dialogue and descriptions, perfectedly ridiculous.
The author makes his countesses always talking of their family, and his
earls always quoting the peerage. There is as much fuss about state, and
dignity, and pride, as if the greatest amongst us were not far too busy
with the petty affairs of the world to have time for such lofty vanities.
There is only one rule necessary for a clever writer who wishes to
delineate the beau monde. It is this: let him consider that 'dukes, and
lords, and noble princes,' eat, drink, talk, move, exactly the same as
any other class of civilized people--nay, the very subjects in
conversation are, for the most part, the same in all sets--only, perhaps,
they are somewhat more familiarly and easily treated than among the lower
orders, who fancy rank is distinguished by pomposity, and that state
affairs are discussed with the solemnity of a tragedy--that we are always
my lording and my ladying each other--that we ridicule commoners, and
curl our hair with Debrett's Peerage."
We all laughed at this speech, the truth of which we readily
acknowledged.
"Nothing," said Lady Dawton, "amuses me more, than to see the great
distinction novel writers make between the titled and the untitled; they
seem to be perfectly unaware, that a commoner, of ancient family and
large fortune, is very often of far more real rank and estimation, and
even weight, in what they are pleased to term fashion, than many of the
members of the Upper House. And what amuses me as much, is the no
distinction they make between all people who have titles--Lord A--, the
little baron, is exactly the same as Lord Z--, the great marquess,
equally haughty and equally important.
"Mais, mon Dieu," said a little French count, who had just joined us;
"how is it that you can expect to find a description of society
entertaining, when the society itself is so dull?--the closer the copy
the more tiresome it must be. Your manner, pour vous amuser, consists in
standing on a crowded staircase, and complaining that you are terribly
bored. L'on s'accoutume difficilement a une vie qui se passe sur
l'escalier."
"It is very true," said Clarendon, "we cannot defend ourselves. We are a
very sensible, thinking, brave, sagacious, generous, industrious, noble-
minded people; but it must be confessed, that we are terrible bores to
ourselves and all the rest of the world. Lady Paulet, if you are going so
soon, honour me by accepting my arm."
"You should say your hand," said the Frenchman.
"Pardon me," answered the gallant old beau; "I say, with your brave
countryman when he lost his legs in battle, and was asked by a lady, like
the one who now leans on me, whether he would not sooner have lost his
arms? 'No, Madam,' said he, (and this, Monsieur le Comte, is the answer I
give to your rebuke) 'I want my hands to guard my heart.'"
Finding our little knot was now broken up, I went into another part of
the room, and joined Vincent, Lady Roseville, Ellen, and one or two other
persons who were assembled round a table covered with books and prints.
Ellen was sitting on one side of Lady Roseville; there was a vacant chair
next her, but I avoided it, and seated myself on the other side of Lady
Roseville.
"Pray, Miss Glanville," said Lord Vincent, taking up a thin volume, "do
you greatly admire the poems of this lady?"
"What, Mrs. Hemans?" answered Ellen. "I am more enchanted with her poetry
than I can express: if that is 'The Forest Sanctuary' which you have
taken up, I am sure you will bear me out in my admiration."
Vincent turned over the leaves with the quiet cynicism of manner habitual
to him; but his countenance grew animated after he had read two pages.
"This is, indeed, beautiful," said he, "really and genuinely beautiful.
How singular that such a work should not be more known; I never met with
it before. But whose pencil marks are these?"
"Mine, I believe," said Ellen, modestly.
"Well," said Lady Roseville, "I fear we shall never have any popular poet
in our time, now that Lord Byron is dead."
"So the booksellers say," replied Vincent; "but I doubt it: there will be
always a certain interregnum after the death of a great poet, during
which, poetry will be received with distaste, and chiefly for this
reason, that nearly all poetry about the same period, will be of the same
school as the most popular author. Now the public soon wearies of this
monotony; and no poetry, even equally beautiful with that of the most
approved writer, will become popular, unless it has the charm of variety.
It must not be perfect in the old school, it must be daring in a new
one;--it must effect a through revolution in taste, and build itself a
temple out of the ruins of the old worship. All this a great genius may
do, if he will take the pains to alter, radically, the style he may have
formed already. He must stoop to the apprenticeship before he aspires to
the mastery. C'est un metier que de faire un livre comme de faire une
pendule."
"I must confess, for my part," said Lord Edward Neville (an author of
some celebrity and more merit), "that I was exceedingly weary of those
doleful ditties with which we were favoured for so many years. No sooner
had Lord Byron declared himself unhappy, than every young gentleman with
a pale face and dark hair, used to think himself justified in frowning in
the glass and writing Odes to Despair. All persons who could scribble two
lines were sure to make them into rhymes of "blight" and "night." Never
was there so grand a penchant for the triste."
"It would be interesting enough," observed Vincent, "to trace the origin
of this melancholy mania. People are wrong to attribute it to poor Lord
Byron--it certainly came from Germany; perhaps Werter was the first hero
of that school."
"There seems," said I, "an unaccountable prepossession among all persons,
to imagine that whatever seems gloomy must be profound, and whatever is
cheerful must be shallow. They have put poor Philosophy into deep
mourning, and given her a coffin for a writing-desk, and a skull for an
inkstand."
"Oh," cried Vincent, "I remember some lines so applicable to your remark,
that I must forthwith interrupt you, in order to introduce them. Madame
de Stael said, in one of her works, that melancholy was a source of
perfection. Listen now to my author--
"'Une femme nous dit, et nous prouve en effet,
Qu'avant quelques mille ans l'homme sera parfait,
Qu'il devra cet etat a la melancolie.
On sait que la tristesse annonce le genie;
Nous avons deja fait des progres etonnans,
Que de tristes ecrits--que de tristes romans!
Des plus noires horreurs nous sommes idolatres,
Et la melancolie a gagne nos theatres.'"
"What!" cried I, "are you so well acquainted with my favourite book?"
"Your's!" exclaimed Vincent. "Gods, what a sympathy; [La Gastronomie,
Poeme, par J. Berchoux.] it has long been my most familiar
acquaintance; but--
"'Tell us what hath chanced to-day,
That Caesar looks so sad?'"
My eye followed Vincent's to ascertain the meaning of this question, and
rested upon Glanville, who had that moment entered the room. I might have
known that he was expected, by Lady Roseville's abstraction, the
restlessness with which she started at times from her seat, and as
instantly resumed it; and her fond expecting looks towards the door,
every time it shut or opened, which denoted so strongly the absent and
dreaming heart of the woman who loves.
Glanville seemed paler than usual, and perhaps even sadder; but he was
less distrait and abstracted: no sooner did he see, than he approached
me, and extended his hand with great cordiality. His hand, thought I, and
I could not bring myself to accept it; I merely addressed him in the
common-place salutation. He looked hard and inquisitively at me, and
then turned abruptly away. Lady Roseville had risen from her chair--her
eyes followed him. He had thrown himself on a settee near the window. She
went up to him, and sate herself by his side. I turned--my face burnt--my
heart beat--I was now next to Ellen Glanville; she was looking down,
apparently employed with some engravings, but I thought her hand (that
small, delicate, Titania hand,) trembled.
There was a pause. Vincent was talking with the other occupiers of the
table; a woman, at such times, is always the first to speak. "We have not
seen you, Mr. Pelham," said Ellen, "since your return to town."
"I have been very ill," I answered, and I felt my voice falter. Ellen
looked up anxiously at my face; I could not brook those large, deep,
tender eyes, and it now became my turn to occupy myself with the prints.
"You do look pale," she said, in a low voice. I did not trust myself with
a further remark--dissimulator as I was to others, I was like a guilty
child before the woman I loved. There was another pause--at last Ellen
said, "How do you think my brother looks?"
I started; yes, he was her brother, and I was once more myself at that
thought. I answered so coldly and almost haughtily, that Ellen coloured,
and said, with some dignity, that she should join Lady Roseville. I bowed
slightly, and she withdrew to the countess. I seized my hat and departed-
-but not utterly alone--I had managed to secrete the book which Ellen's
hand had marked; through many a bitter day and sleepless night, that book
has been my only companion; I have it before me now, and it is open at a
page which is yet blistered with the traces of former tears.
