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Literature Post > Lytton, Edward Bulwer > Night and Morning > Chapter 28

Night and Morning by Lytton, Edward Bulwer - Chapter 28

CHAPTER IV.

"And she's a stranger
Women--beware women."--MIDDLETON.

"As we love our youngest children best,
So the last fruit of our affection,
Wherever we bestow it, is most strong;
Since 'tis indeed our latest harvest-home,
Last merriment 'fore winter!"
WEBSTER, _Devil's Law Case_.

"I would fain know what kind of thing a man's heart is?
I will report it to you; 'tis a thing framed
With divers corners!"--ROWLEY.

I have said that Gawtrey's tale made a deep impression on Philip;--that
impression was increased by subsequent conversations, more frank even
than their talk had hitherto been. There was certainly about this man a
fatal charm which concealed his vices. It arose, perhaps, from the
perfect combinations of his physical frame--from a health which made his
spirits buoyant and hearty under all circumstances--and a blood so fresh,
so sanguine, that it could not fail to keep the pores of the heart open.
But he was not the less--for all his kindly impulses and generous
feelings, and despite the manner in which, naturally anxious to make the
least unfavourable portrait of himself to Philip, he softened and glossed
over the practices of his life--a thorough and complete rogue, a
dangerous, desperate, reckless daredevil. It was easy to see when
anything crossed him, by the cloud on his shaggy brow, by the swelling of
the veins on the forehead, by the dilation of the broad nostril, that he
was one to cut his way through every obstacle to an end,--choleric,
impetuous, fierce, determined. Such, indeed, were the qualities that
made him respected among his associates, as his more bland and humorous
ones made him beloved. He was, in fact, the incarnation of that great
spirit which the laws of the world raise up against the world, and by
which the world's injustice on a large scale is awfully chastised; on a
small scale, merely nibbled at and harassed, as the rat that gnaws the
hoof of the elephant:--the spirit which, on a vast theatre, rises up,
gigantic and sublime, in the heroes of war and revolution--in Mirabeaus,
Marats, Napoleons: on a minor stage, it shows itself in demagogues,
fanatical philosophers, and mob-writers; and on the forbidden boards,
before whose reeking lamps outcasts sit, at once audience and actors, it
never produced a knave more consummate in his part, or carrying it off
with more buskined dignity, than William Gawtrey. I call him by his
aboriginal name; as for his other appellations, Bacchus himself had not
so many!

One day, a lady, richly dressed, was ushered by Mr. Birnie into the
bureau of Mr. Love, alias Gawtrey. Philip was seated by the window,
reading, for the first time, the _Candide_,--that work, next to
_Rasselas_, the most hopeless and gloomy of the sports of genius with
mankind. The lady seemed rather embarrassed when she perceived Mr. Love
was not alone. She drew back, and, drawing her veil still more closely
round her, said, in French:

"Pardon me, I would wish a private conversation." Philip rose to
withdraw, when the lady, observing him with eyes whose lustre shone
through the veil, said gently: "But perhaps the young gentleman is
discreet."

"He is not discreet, he is discretion!--my adopted son. You may confide
in him--upon my honour you may, madam!" and Mr. Love placed his hand on
his heart.

"He is very young," said the lady, in a tone of involuntary compassion,
as, with a very white hand, she unclasped the buckle of her cloak.

"He can the better understand the curse of celibacy," returned Mr. Love,
smiling.

The lady lifted part of her veil, and discovered a handsome mouth, and a
set of small, white teeth; for she, too, smiled, though gravely, as she
turned to Morton, and said--

"You seem, sir, more fitted to be a votary of the temple than one of its
officers. However, Monsieur Love, let there be no mistake between us; I
do not come here to form a marriage, but to prevent one. I understand
that Monsieur the Vicomte de Vaudemont has called into request your
services. I am one of the Vicomte's family; we are all anxious that he
should not contract an engagement of the strange and, pardon me,
unbecoming character, which must stamp a union formed at a public
office."

"I assure you, madam," said Mr. Love, with dignity, "that we have
contributed to the very first--"

"_Mon Dieu_!" interrupted the lady, with much impatience, "spare me a
eulogy on your establishment: I have no doubt it is very respectable; and
for _grisettes_ and _epiciers_ may do extremely well. But the Vicomte is
a man of birth and connections. In a word, what he contemplates is
preposterous. I know not what fee Monsieur Love expects; but if he
contrive to amuse Monsieur de Vaudemont, and to frustrate every
connection he proposes to form, that fee, whatever it may be, shall be
doubled. Do you understand me?"

"Perfectly, madam; yet it is not your offer that will bias me, but the
desire to oblige so charming a lady."

"It is agreed, then?" said the lady, carelessly; and as she spoke she
again glanced at Philip.

"If madame will call again, I will inform her of my plans," said Mr.
Love.

"Yes, I will call again. Good morning!" As she rose and passed Philip,
she wholly put aside her veil, and looked at him with a gaze entirely
free from coquetry, but curious, searching, and perhaps admiring--the
look that an artist may give to a picture that seines of more value than
the place where he finds it would seem to indicate. The countenance of
the lady herself was fair and noble, and Philip felt a strange thrill at
his heart as, with a slight inclination of her' head, she turned from the
room.

"Ah!" said Gawtrey, laughing, "this is not the first time I have been
paid by relations to break off the marriages I had formed. Egad! if one
could open a _bureau_ to make married people single, one would soon be a
Croesus! Well, then, this decides me to complete the union between
Monsieur Goupille and Mademoiselle de Courval. I had balanced a little
hitherto between the _epicier_ and the Vicomte. Now I will conclude
matters. Do you know, Phil, I think you have made a conquest?"

"Pooh!" said Philip, colouring.

In effect, that very evening Mr. Love saw both the _epicier_ and Adele,
and fixed the marriage-day. As Monsieur Goupille was a person of great
distinction in the Faubourg, this wedding was one upon which Mr. Love
congratulated himself greatly; and he cheerfully accepted an invitation
for himself and his partners to honour the _noces_ with their presence.

A night or two before the day fixed for the marriage of Monsieur Goupille
and the aristocratic Adele, when Mr. Birnie had retired, Gawtrey made his
usual preparations for enjoying himself. But this time the cigar and the
punch seemed to fail of their effect. Gawtrey remained moody and silent;
and Morton was thinking of the bright eyes of the lady who was so much
interested against the amours of the Vicomte de Vaudemont.

At last, Gawtrey broke silence:

"My young friend," said he, "I told you of my little _protege_; I have
been buying toys for her this morning; she is a beautiful creature;
to-morrow is her birthday--she will then be six years old. But--but--"
here Gawtrey sighed--"I fear she is not all right here," and he touched
his forehead.

"I should like much to see her," said Philip, not noticing the latter
remark.

"And you shall--you shall come with me to-morrow. Heigho! I should not
like to die, for her sake!"

"Does her wretched relation attempt to regain her?"

"Her relation! No; she is no more--she died about two years since! Poor
Mary! I--well, this is folly. But Fanny is at present in a convent;
they are all kind to her, but then I pay well; if I were dead, and the
pay stopped,--again I ask, what would become of her, unless, as I before
said, my father--"

"But you are making a fortune now?"

"If this lasts--yes; but I live in fear--the police of this cursed city
are lynx-eyed; however, that is the bright side of the question."

"Why not have the child with you, since you love her so much? She would
be a great comfort to you."

"Is this a place for a child--a girl?" said Gawtrey, stamping his foot
impatiently. "I should go mad if I saw that villainous deadman's eye bent
upon her!"

You speak of Birnie. How can you endure him?"

"When you are my age you will know why we endure what we dread--why we
make friends of those who else would be most horrible foes: no, no--
nothing can deliver me of this man but Death. And--and--" added Gawtrey,
turning pale, "I cannot murder a man who eats my bread. There are
stronger ties, my lad, than affection, that bind men, like galley-slaves,
together. He who can hang you puts the halter round your neck and leads
you by it like a dog."

A shudder came over the young listener. And what dark secrets, known
only to those two, had bound, to a man seemingly his subordinate and
tool, the strong will and resolute temper of William Gawtrey?

"But, begone, dull care!" exclaimed Gawtrey, rousing himself. "And,
after all, Birnie is a useful fellow, and dare no more turn against me
than I against him! Why don't you drink more?

"Oh! have you e'er heard of the famed Captain Wattle?"

and Gawtrey broke out into a loud Bacchanalian hymn, in which Philip
could find no mirth, and from which the songster suddenly paused to
exclaim:--

"Mind you say nothing about Fanny to Birnie; my secrets with him are not
of that nature. He could not hurt her, poor lamb! it is true--at least,
as far as I can foresee. But one can never feel too sure of one's lamb,
if one once introduces it to the butcher!"

The next day being Sunday, the bureau was closed, and Philip and Gawtrey
repaired to the convent. It was a dismal-looking place as to the
exterior; but, within, there was a large garden, well kept, and,
notwithstanding the winter, it seemed fair and refreshing, compared with
the polluted streets. The window of the room into which they were shown
looked upon the green sward, with walls covered with ivy at the farther
end. And Philip's own childhood came back to him as he gazed on the
quiet of the lonely place.

The door opened--an infant voice was heard, a voice of glee-of rapture;
and a child, light and beautiful as a fairy, bounded to Gawtrey's breast.

Nestling there, she kissed his face, his hands, his clothes, with a
passion that did not seem to belong to her age, laughing and sobbing
almost at a breath.

On his part, Gawtrey appeared equally affected: he stroked down her hair
with his huge hand, calling her all manner of pet names, in a tremulous
voice that vainly struggled to be gay.

At length he took the toys he had brought with him from his capacious
pockets, and strewing them on the floor, fairly stretched his vast bulk
along; while the child tumbled over him, sometimes grasping at the toys,
and then again returning to his bosom, and laying her head there, looked
up quietly into his eyes, as if the joy were too much for her.

Morton, unheeded by both, stood by with folded arms. He thought of his
lost and ungrateful brother, and muttered to himself:

"Fool! when she is older, she will forsake him!"

Fanny betrayed in her face the Italian origin of her father. She had
that exceeding richness of complexion which, though not common even in
Italy, is only to be found in the daughters of that land, and which
harmonised well with the purple lustre of her hair, and the full, clear
iris of the dark eyes. Never were parted cherries brighter than her dewy
lips; and the colour of the open neck and the rounded arms was of a
whiteness still more dazzling, from the darkness of the hair and the
carnation of the glowing cheek.

Suddenly Fanny started from Gawtrey's arms, and running up to Morton,
gazed at him wistfully, and said, in French:

"Who are you? Do you come from the moon? I think you do." Then,
stopping abruptly, she broke into a verse of a nursery-song, which she
chaunted with a low, listless tone, as if she were not conscious of the
sense. As she thus sang, Morton, looking at her, felt a strange and
painful doubt seize him. The child's eyes, though soft, were so vacant
in their gaze.

"And why do I come from the moon?" said he.

"Because you look sad and cross. I don't like you--I don't like the
moon; it gives me a pain here!" and she put her hand to her temples.
"Have you got anything for Fanny--poor, poor Fanny?" and, dwelling on the
epithet, she shook her head mournfully.

"You are rich, Fanny, with all those toys."

"Am I? Everybody calls me poor Fanny--everybody but papa;" and she ran
again to Gawtrey, and laid her head on his shoulder.

"She calls me papa!" said Gawtrey, kissing her; "you hear it? Bless
her!"

"And you never kiss any one but Fanny--you have no other little girl?"
said the child, earnestly, and with a look less vacant than that which
had saddened Morton.

"No other--no--nothing under heaven, and perhaps above it, but you!" and
he clasped her in his arms. "But," he added, after a pause--"but mind
me, Fanny, you must like this gentleman. He will be always good to you:
and he had a little brother whom he was as fond of as I am of you."

"No, I won't like him--I won't like anybody but you and my sister!"

"Sister!--who is your sister?"

The child's face relapsed into an expression almost of idiotcy. "I don't
know--I never saw her. I hear her sometimes, but I don't understand what
she says.--Hush! come here!" and she stole to the window on tiptoe.
Gawtrey followed and looked out.

"Do you hear her, now?" said Fanny. "What does she say?"

As the girl spoke, some bird among the evergreens uttered a shrill,
plaintive cry, rather than song--a sound which the thrush occasionally
makes in the winter, and which seems to express something of fear, and
pain, and impatience. "What does she say?--can you tell me?" asked the
child.

"Pooh! that is a bird; why do you call it your sister?"

"I don't know!--because it is--because it--because--I don't know--is it
not in pain?--do something for it, papa!"

Gawtrey glanced at Morton, whose face betokened his deep pity, and
creeping up to him, whispered,--

"Do you think she is really touched here? No, no,--she will outgrow it--
I am sure she will!"

Morton sighed.

Fanny by this time had again seated herself in the middle of the floor,
and arranged her toys, but without seeming to take pleasure in them.

At last Gawtrey was obliged to depart. The lay sister, who had charge of
Fanny, was summoned into the parlour; and then the child's manner
entirely changed; her face grew purple--she sobbed with as much anger as
grief. "She would not leave papa--she would not go--that she would not!"

"It is always so," whispered Gawtrey to Morton, in an abashed and
apologetic voice. "It is so difficult to get away from her. Just go and
talk with her while I steal out."

Morton went to her, as she struggled with the patient good-natured
sister, and began to soothe and caress her, till she turned on him her
large humid eyes, and said, mournfully,

"_Tu es mechant, tu_. Poor Fanny!"

"But this pretty doll--" began the sister. The child looked at it
joylessly.

"And papa is going to die!"

"Whenever Monsieur goes," whispered the nun, "she always says that he is
dead, and cries herself quietly to sleep; when Monsieur returns, she says
he is come to life again. Some one, I suppose, once talked to her about
death; and she thinks when she loses sight of any one, that that is
death."

"Poor child!" said Morton, with a trembling voice.

The child looked up, smiled, stroked his cheek with her little hand, and
said:

"Thank you!--Yes! poor Fanny! Ah, he is going--see!--let me go too--
_tu es mechant_."

"But," said Morton, detaining her gently, "do you know that you give him
pain?--you make him cry by showing pain yourself. Don't make him so
sad!"

The child seemed struck, hung down her head for a moment, as if in
thought, and then, jumping from Morton's lap, ran to Gawtrey, put up her
pouting lips, and said:

"One kiss more!"

Gawtrey kissed her, and turned away his head.

"Fanny is a good girl!" and Fanny, as she spoke, went back to Morton, and
put her little fingers into her eyes, as if either to shut out Gawtrey's
retreat from her sight, or to press back her tears.

"Give me the doll now, sister Marie."

Morton smiled and sighed, placed the child, who struggled no more, in the
nun's arms, and left the room; but as he closed the door he looked back,
and saw that Fanny had escaped from the sister, thrown herself on the
floor, and was crying, but not loud.

"Is she not a little darling?" said Gawtrey, as they gained the street.

"She is, indeed, a most beautiful child!"

"And you will love her if I leave her penniless," said Gawtrey, abruptly.
"It was your love for your mother and your brother that made me like you
from the first. Ay," continued Gawtrey, in a tone of great earnestness,
"ay, and whatever may happen to me, I will strive and keep you, my poor
lad, harmless; and what is better, innocent even of such matters as sit
light enough on my own well-seasoned conscience. In turn, if ever you
have the power, be good to her,--yes, be good to her! and I won't say a
harsh word to you if ever you like to turn king's evidence against
myself."

"Gawtrey!" said Morton, reproachfully, and almost fiercely.

"Bah!--such things are! But tell me honestly, do you think she is very
strange--very deficient?"

"I have not seen enough of her to judge," answered Morton, evasively.

"She is so changeful," persisted Gawtrey. "Sometimes you would say that
she was above her age, she comes out with such thoughtful, clever things;
then, the next moment, she throws me into despair. These nuns are very
skilful in education--at least they are said to be so. The doctors give
me hope, too. You see, her poor mother was very unhappy at the time of
her birth--delirious, indeed: that may account for it. I often fancy
that it is the constant excitement which her state occasions me that
makes me love her so much. You see she is one who can never shift for
herself. I must get money for her; I have left a little already with the
superior, and I would not touch it to save myself from famine! If she
has money people will be kind enough to her. And then," continued
Gawtrey, "you must perceive that she loves nothing in the world but me
--me, whom nobody else loves! Well--well, now to the shop again!"

On returning home the _bonne_ informed them that a lady had called, and
asked both for Monsieur Love and the young gentleman, and seemed much
chagrined at missing both. By the description, Morton guessed she was
the fair _incognita_, and felt disappointed at having lost the interview.