CHAPTER XII.
GUIOMAR.
"Those devotions I am to pay
Are written in my heart, not in this book."
Enter RUTILIO.
"I am pursued--all the ports are stopped too,
Not any hope to escape--behind, before me,
On either side, I am beset."
BEAUMONT AND FLETCHER, _The Custom of the Country_
The party were just gone--it was already the peep of day--the wheels of
the last carriage had died in the distance.
Madame de Merville had dismissed her woman, and was seated in her own
room, leaning her head musingly on her hand.
Beside her was the table that held her MSS. and a few books, amidst which
were scattered vases of flowers. On a pedestal beneath the window was
placed a marble bust of Dante. Through the open door were seen in
perspective two rooms just deserted by her guests; the lights still
burned in the chandeliers and girandoles, contending with the daylight
that came through the half-closed curtains. The person of the inmate was
in harmony with the apartment. It was characterised by a certain grace
which, for want of a better epithet, writers are prone to call classical
or antique. Her complexion, seeming paler than usual by that light, was
yet soft and delicate--the features well cut, but small and womanly.
About the face there was that rarest of all charms, the combination of
intellect with sweetness; the eyes, of a dark blue, were thoughtful,
perhaps melancholy, in their expression; but the long dark lashes, and
the shape of the eyes, themselves more long than full, gave to their
intelligence a softness approaching to languor, increased, perhaps, by
that slight shadow round and below the orbs which is common with those
who have tasked too much either the mind or the heart. The contour of
the face, without being sharp or angular, had yet lost a little of the
roundness of earlier youth; and the hand on which she leaned was,
perhaps, even too white, too delicate, for the beauty which belongs to
health; but the throat and bust were of exquisite symmetry.
"I am not happy," murmured Eugenie to herself; "yet I scarce know why.
Is it really, as we women of romance have said till the saying is worn
threadbare, that the destiny of women is not fame but love. Strange,
then, that while I have so often pictured what love should be, I have
never felt it. And now,--and now," she continued, half rising, and with
a natural pang--"now I am no longer in my first youth. If I loved,
should I be loved again? How happy the young pair seemed--they are never
alone!"
At this moment, at a distance, was heard the report of fire-arms--again!
Eugenie started, and called to her servant, who, with one of the waiters
hired for the night, was engaged in removing, and nibbling as he removed,
the re mains of the feast. "What is that, at this hour?--open the window
and look out!"
"I can see nothing, madame."
"Again--that is the third time. Go into the street and look--some one
must be in danger."
The servant and the waiter, both curious, and not willing to part
company, ran down the stairs, and thence into the street.
Meanwhile, Morton, after vainly attempting Birnie's window, which the
traitor had previously locked and barred against the escape of his
intended victim, crept rapidly along the roof, screened by the parapet
not only from the shot but the sight of the foe. But just as he gained
the point at which the lane made an angle with the broad street it
adjoined, he cast his eyes over the parapet, and perceived that one of
the officers had ventured himself to the fearful bridge; he was pursued--
detection and capture seemed inevitable. He paused, and breathed hard.
He, once the heir to such fortunes, the darling of such affections!--he,
the hunted accomplice of a gang of miscreants! That was the thought that
paralysed--the disgrace, not the danger. But he was in advance of the
pursuer--he hastened on--he turned the angle--he heard a shout behind
from the opposite side--the officer had passed the bridge: "it is but one
man as yet," thought he, and his nostrils dilated and his hands clenched
as he glided on, glancing at each casement as he passed.
Now as youth and vigour thus struggled against Law for life, near at hand
Death was busy with toil and disease. In a miserable _grabat_, or
garret, a mechanic, yet young, and stricken by a lingering malady
contracted by the labour of his occupation, was slowly passing from that
world which had frowned on his cradle, and relaxed not the gloom of its
aspect to comfort his bed of Death. Now this man had married for love,
and his wife had loved him; and it was the cares of that early marriage
which had consumed him to the bone. But extreme want, if long continued,
eats up love when it has nothing else to eat. And when people are very
long dying, the people they fret and trouble begin to think of that too
often hypocritical prettiness of phrase called "a happy release." So the
worn-out and half-famished wife did not care three straws for the dying
husband, whom a year or two ago she had vowed to love and cherish in
sickness and in health. But still she seemed to care, for she moaned,
and pined, and wept, as the man's breath grew fainter and fainter.
"Ah, Jean!" said she, sobbing, "what will become of me, a poor lone
widow, with nobody to work for my bread?" And with that thought she took
on worse than before.
"I am stifling," said the dying man, rolling round his ghastly eyes.
"How hot it is! Open the window; I should like to see the light-daylight
once again."
"Mon Dieu! what whims he has, poor man!" muttered the woman, without
stirring.
The poor wretch put out his skeleton hand and clutched his wife's arm.
"I sha'n't trouble you long, Marie! Air--air!"
"Jean, you will make yourself worse--besides, I shall catch my death of
cold. I have scarce a rag on, but I will just open the door."
"Pardon me," groaned the sufferer; "leave me, then." Poor fellow!
perhaps at that moment the thought of unkindness was sharper than the
sharp cough which brought blood at every paroxysm. He did not like her
so near him, but he did not blame her. Again, I say,--poor fellow! The
woman opened the door, went to the other side of the room, and sat down
on an old box and began darning an old neck-handkerchief. The silence
was soon broken by the moans of the fast-dying man, and again he
muttered, as he tossed to and fro, with baked white lips:
"_Je m'etoufee_!--Air!"
There was no resisting that prayer, it seemed so like the last. The wife
laid down the needle, put the handkerchief round her throat, and opened
the window.
"Do you feel easier now?"
"Bless you, Marie--yes; that's good--good. It puts me in mind of old
days, that breath of air, before we came to Paris. I wish I could work
for you now, Marie."
"Jean! my poor Jean!" said the woman, and the words and the voice took
back her hardening heart to the fresh fields and tender thoughts of the
past time. And she walked up to the bed, and he leaned his temples, damp
with livid dews, upon her breast.
"I have been a sad burden to you, Marie; we should not have married so
soon; but I thought I was stronger. Don't cry; we have no little ones,
thank God. It will be much better for you when I am gone."
And so, word after word gasped out--he stopped suddenly, and seemed to
fall asleep.
The wife then attempted gently to lay him once more on his pillow--the
head fell back heavily--the jaw had dropped--the teeth were set--the eyes
were open and like the stone--the truth broke on her!
"Jean--Jean! My God, he is dead! and I was unkind to him at the last!"
With these words she fell upon the corpse, happily herself insensible.
Just at that moment a human face peered in at the window. Through that
aperture, after a moment's pause, a young man leaped lightly into the
room. He looked round with a hurried glance, but scarcely noticed the
forms stretched on the pallet. It was enough for him that they seemed to
sleep, and saw him not. He stole across the room, the door of which
Marie had left open, and descended the stairs. He had almost gained the
courtyard into which the stairs had conducted, when he heard voices below
by the porter's lodge.
"The police have discovered a gang of coiners!"
"Coiners!"
"Yes, one has been shot dead! I have seen his body in the kennel;
another has fled along the roofs--a desperate fellow! We were to watch
for him. Let us go up-stairs and get on the roof and look out."
By the hum of approval that followed this proposition, Morton judged
rightly that it had been addressed to several persons whom curiosity and
the explosion of the pistols had drawn from their beds, and who were
grouped round the porter's lodge. What was to be done?--to advance was
impossible: and was there yet time to retreat?--it was at least the only
course left him; he sprang back up the stairs; he had just gained the
first flight when he heard steps descending; then, suddenly, it flashed
across him that he had left open the window above--that, doubtless, by
that imprudent oversight the officer in pursuit had detected a clue to
the path he had taken. What was to be done?--die as Gawtrey had done!--
death rather than the galleys. As he thus resolved, he saw to the right
the open door of an apartment in which lights still glimmered in their
sockets. It seemed deserted--he entered boldly and at once, closing the
door after him. Wines and viands still left on the table; gilded
mirrors, reflecting the stern face of the solitary intruder; here and
there an artificial flower, a knot of riband on the floor, all betokening
the gaieties and graces of luxurious life--the dance, the revel, the
feast--all this in one apartment!--above, in the same house, the pallet--
the corpse--the widow--famine and woe! Such is a great city! such, above
all, is Paris! where, under the same roof, are gathered such antagonist
varieties of the social state! Nothing strange in this; it is strange
and sad that so little do people thus neighbours know of each other, that
the owner of those rooms had a heart soft to every distress, but she did
not know the distress so close at hand. The music that had charmed her
guests had mounted gaily to the vexed ears of agony and hunger. Morton
passed the first room--a second--he came to a third, and Eugenie de
Merville, looking up at that instant, saw before her an apparition that
might well have alarmed the boldest. His head was uncovered--his dark
hair shadowed in wild and disorderly profusion the pale face and
features, beautiful indeed, but at that moment of the beauty which an
artist would impart to a young gladiator--stamped with defiance, menace,
and despair. The disordered garb--the fierce aspect--the dark eyes, that
literally shone through the shadows of the room-all conspired to increase
the terror of so abrupt a presence.
"What are you?--What do you seek here?" said she, falteringly, placing
her hand on the bell as she spoke. Upon that soft hand Morton laid his
own.
"I seek my life! I am pursued! I am at your mercy! I am innocent! Can
you save me?"
As he spoke, the door of the outer room beyond was heard to open, and
steps and voices were at hand.
"Ah!" he exclaimed, recoiling as he recognised her face. "And is it to
you that I have fled?"
Eugenie also recognised the stranger; and there was something in their
relative positions--the suppliant, the protectress--that excited both her
imagination and her pity. A slight colour mantled to her cheeks--her
look was gentle and compassionate.
"Poor boy! so young!" she said. "Hush!"
She withdrew her hand from his, retired a few steps, lifted a curtain
drawn across a recess--and pointing to an alcove that contained one of
those sofa-beds common in French houses, added in a whisper,--
"Enter--you are saved."
Morton obeyed, and Eugenie replaced the curtain.
