CHAPTER XLIV
TENDER MINISTRATIONS
September 11th.
A week has passed very quietly, during which I have written nothing.
By degrees I am becoming accustomed to my Japanese household, to the
strangeness of the language, costumes, and faces. For the last three
weeks no letters have arrived from Europe; they have no doubt miscarried,
and their absence contributes, as is usually the case, to throw a veil of
oblivion over the past.
Every day, therefore, I climb up to my villa, sometimes by beautiful
starlit nights, sometimes through downpours of rain. Every morning as
the sound of Madame Prune's chanted prayer rises through the
reverberating air, I awake and go down toward the sea, by grassy pathways
full of dew.
The chief occupation in Japan seems to be a perpetual hunt after curios.
We sit down on the mattings, in the antique-sellers' little booths,
taking a cup of tea with the salesmen, and rummage with our own hands in
the cupboards and chests, where many a fantastic piece of old rubbish is
huddled away. The bargaining, much discussed, is laughingly carried on
for several days, as if we were trying to play off some excellent little
practical joke upon each other.
I really make a sad abuse of the adjective little; I am quite aware of
it, but how can I do otherwise? In describing this country, the
temptation is great to use it ten times in every written line. Little,
finical; affected,--all Japan is contained, both physically and morally,
in these three words.
My purchases are accumulating in my little wood and paper house; but how
much more Japanese it really was, in its bare emptiness, such as M. Sucre
and Madame Prune had conceived it. There are now many lamps of sacred
symbolism hanging from the ceiling; many stools and many vases, as many
gods and goddesses as in a pagoda.
There is even a little Shintoist altar, before which Madame Prune has not
been able to restrain her feelings, and before which she has fallen down
and chanted her prayers in her bleating, goat-like voice:
"Wash me clean from all my impurity, O Ama-Terace-Omi-Kami! as one
washes away uncleanness in the river of Kamo."
Alas for poor Ama-Terace-Omi-Kami to have to wash away the impurities of
Madame Prune! What a tedious and ungrateful task!!
Chrysantheme, who is a Buddhist, prays sometimes in the evening before
lying down; although overcome with sleep, she prays clapping her hands
before the largest of our gilded idols. But she smiles with a childish
disrespect for her Buddha, as soon as her prayer is ended. I know that
she has also a certain veneration for her Ottokes (the spirits of her
ancestors), whose rather sumptuous altar is set up at the house of her
mother, Madame Renoncule. She asks for their blessings, for fortune and
wisdom.
Who can fathom her ideas about the gods, or about death? Does she
possess a soul? Does she think she has one? Her religion is an obscure
chaos of theogonies as old as the world, treasured up out of respect for
ancient customs; and of more recent ideas about the blessed final
annihilation, imported from India by saintly Chinese missionaries at the
epoch of our Middle Ages. The bonzes themselves are puzzled; what a
muddle, therefore, must not all this become, when jumbled together in the
childish brain of a sleepy mousme!
Two very insignificant episodes have somewhat attached me to her--(bonds
of this kind seldom fail to draw closer in the end). The first occasion
was as follows:
Madame Prune one day brought forth a relic of her gay youth, a tortoise-
shell comb of rare transparency, one of those combs that it is good style
to place on the summit of the head, lightly poised, hardly stuck at all
in the hair, with all the teeth showing. Taking it out of a pretty
little lacquered box, she held it up in the air and blinked her eyes,
looking through it at the sky--a bright summer sky--as one does to
examine the quality of a precious stone.
"Here is," she said, "an object of great value that you should offer to
your little wife."
My mousme, very much taken by it, admired the clearness of the comb and
its graceful shape.
The lacquered box, however, pleased me more. On the cover was a
wonderful painting in gold on gold, representing a field of rice, seen
very close, on a windy day; a tangle of ears and grass beaten down and
twisted by a terrible squall; here and there, between the distorted
stalks, the muddy earth of the rice-swamp was visible; there were even
little pools of water, produced by bits of the transparent lacquer on
which tiny particles of gold seemed to float about like chaff in a thick
liquid; two or three insects, which required a microscope to be well
seen, were clinging in a terrified manner to the rushes, and the whole
picture was no larger than a woman's hand.
As for Madame Prune's comb, I confess it left me indifferent, and I
turned a deaf ear, thinking it very insignificant and expensive. Then
Chrysantheme answered, mournfully:
"No, thank you, I don't want it; take it away, dear Madame Prune."
And at the same time she heaved a deep sigh, full of meaning, which
plainly said:
"He is not so fond of me as all that.--Useless to bother him."
I immediately made the wished-for purchase.
Later when Chrysantheme will have become an old monkey like Madame Prune,
with her black teeth and long orisons, she, in her turn, will retail that
comb to some fine lady of a fresh generation.
On another occasion the sun had given me a headache; I lay on the floor
resting my head on my snake-skin pillow. My eyes were dim; and
everything appeared to turn around: the open veranda, the big expanse of
luminous evening sky, and a variety of kites hovering against its
background. I felt myself vibrating painfully to the rhythmical sound of
the cicalas which filled the atmosphere.
She, crouching by my side, strove to relieve me by a Japanese process,
pressing with all her might on my temples with her little thumbs and
turning them rapidly around, as if she were boring a hole with a gimlet.
She had become quite hot and red over this hard work, which procured me
real comfort, something similar to the dreamy intoxication of opium.
Then, anxious and fearful lest I should have an attack of fever, she
rolled into a pellet and thrust into my mouth a very efficacious prayer
written on rice-paper, which she had kept carefully in the lining of one
of her sleeves.
Well, I swallowed that prayer without a smile, not wishing to hurt her
feelings or shake her funny little faith.
