CHAPTER V. A PHANTOM OF DELIGHT
Shortly before sunset that evening Eric went for a walk. When he
did not go to the shore he liked to indulge in long tramps
through the Lindsay fields and woods, in the mellowness of "the
sweet 'o the year." Most of the Lindsay houses were built along
the main road, which ran parallel to the shore, or about the
stores at "The Corner." The farms ran back from them into
solitudes of woods and pasture lands.
Eric struck southwest from the Williamson homestead, in a
direction he had not hitherto explored, and walked briskly along,
enjoying the witchery of the season all about him in earth and
air and sky. He felt it and loved it and yielded to it, as
anyone of clean life and sane pulses must do.
The spruce wood in which he presently found himself was smitten
through with arrows of ruby light from the setting sun. He went
through it, walking up a long, purple aisle where the wood-floor
was brown and elastic under his feet, and came out beyond it on a
scene which surprised him.
No house was in sight, but he found himself looking into an
orchard; an old orchard, evidently long neglected and forsaken.
But an orchard dies hard; and this one, which must have been a
very delightful spot once, was delightful still, none the less so
for the air of gentle melancholy which seemed to pervade it, the
melancholy which invests all places that have once been the
scenes of joy and pleasure and young life, and are so no longer,
places where hearts have throbbed, and pulses thrilled, and eyes
brightened, and merry voices echoed. The ghosts of these things
seem to linger in their old haunts through many empty years.
The orchard was large and long, enclosed in a tumbledown old
fence of longers bleached to a silvery gray in the suns of many
lost summers. At regular intervals along the fence were tall,
gnarled fir trees, and an evening wind, sweeter than that which
blew over the beds of spice from Lebanon, was singing in their
tops, an earth-old song with power to carry the soul back to the
dawn of time.
Eastward, a thick fir wood grew, beginning with tiny treelets
just feathering from the grass, and grading up therefrom to the
tall veterans of the mid-grove, unbrokenly and evenly, giving the
effect of a solid, sloping green wall, so beautifully compact
that it looked as if it had been clipped into its velvet surface
by art.
Most of the orchard was grown over lushly with grass; but at the
end where Eric stood there was a square, treeless place which had
evidently once served as a homestead garden. Old paths were
still visible, bordered by stones and large pebbles. There were
two clumps of lilac trees; one blossoming in royal purple, the
other in white. Between them was a bed ablow with the starry
spikes of June lilies. Their penetrating, haunting fragrance
distilled on the dewy air in every soft puff of wind. Along the
fence rosebushes grew, but it was as yet too early in the season
for roses.
Beyond was the orchard proper, three long rows of trees with
green avenues between, each tree standing in a wonderful blow of
pink and white.
The charm of the place took sudden possession of Eric as nothing
had ever done before. He was not given to romantic fancies; but
the orchard laid hold of him subtly and drew him to itself, and
he was never to be quite his own man again. He went into it over
one of the broken panels of fence, and so, unknowing, went
forward to meet all that life held for him.
He walked the length of the orchard's middle avenue between long,
sinuous boughs picked out with delicate, rose-hearted bloom.
When he reached its southern boundary he flung himself down in a
grassy corner of the fence where another lilac bush grew, with
ferns and wild blue violets at its roots. From where he now was
he got a glimpse of a house about a quarter of a mile away, its
gray gable peering out from a dark spruce wood. It seemed a
dull, gloomy, remote place, and he did not know who lived there.
He had a wide outlook to the west, over far hazy fields and misty
blue intervales. The sun had just set, and the whole world of
green meadows beyond swam in golden light. Across a long valley
brimmed with shadow were uplands of sunset, and great sky lakes
of saffron and rose where a soul might lose itself in colour.
The air was very fragrant with the baptism of the dew, and the
odours of a bed of wild mint upon which he had trampled. Robins
were whistling, clear and sweet and sudden, in the woods all
about him.
"This is a veritable 'haunt of ancient peace,'" quoted Eric,
looking around with delighted eyes. "I could fall asleep here,
dream dreams and see visions. What a sky! Could anything be
diviner than that fine crystal eastern blue, and those frail
white clouds that look like woven lace? What a dizzying,
intoxicating fragrance lilacs have! I wonder if perfume could
set a man drunk. Those apple trees now--why, what is that?"
Eric started up and listened. Across the mellow stillness,
mingled with the croon of the wind in the trees and the
flute-like calls of the robins, came a strain of delicious music,
so beautiful and fantastic that Eric held his breath in
astonishment and delight. Was he dreaming? No, it was real
music, the music of a violin played by some hand inspired with
the very spirit of harmony. He had never heard anything like it;
and, somehow, he felt quite sure that nothing exactly like it
ever had been heard before; he believed that that wonderful music
was coming straight from the soul of the unseen violinist, and
translating itself into those most airy and delicate and
exquisite sounds for the first time; the very soul of music, with
all sense and earthliness refined away.
It was an elusive, haunting melody, strangely suited to the time
and place; it had in it the sigh of the wind in the woods, the
eerie whispering of the grasses at dewfall, the white thoughts of
the June lilies, the rejoicing of the apple blossoms; all the
soul of all the old laughter and song and tears and gladness and
sobs the orchard had ever known in the lost years; and besides
all this, there was in it a pitiful, plaintive cry as of some
imprisoned thing calling for freedom and utterance.
At first Eric listened as a man spellbound, mutely and
motionlessly, lost in wonderment. Then a very natural curiosity
overcame him. Who in Lindsay could play a violin like that? And
who was playing so here, in this deserted old orchard, of all
places in the world?
He rose and walked up the long white avenue, going as slowly and
silently as possible, for he did not wish to interrupt the
player. When he reached the open space of the garden he stopped
short in new amazement and was again tempted into thinking he
must certainly be dreaming.
Under the big branching white lilac tree was an old, sagging,
wooden bench; and on this bench a girl was sitting, playing on an
old brown violin. Her eyes were on the faraway horizon and she
did not see Eric. For a few moments he stood there and looked at
her. The pictures she made photographed itself on his vision to
the finest detail, never to be blotted from his book of
remembrance. To his latest day Eric Marshall will be able to
recall vividly that scene as he saw it then--the velvet darkness
of the spruce woods, the overarching sky of soft brilliance, the
swaying lilac blossoms, and amid it all the girl on the old bench
with the violin under her chin.
He had, in his twenty-four years of life, met hundreds of pretty
women, scores of handsome women, a scant half dozen of really
beautiful women. But he knew at once, beyond all possibility of
question or doubt, that he had never seen or imagined anything so
exquisite as this girl of the orchard. Her loveliness was so
perfect that his breath almost went from him in his first delight
of it.
Her face was oval, marked in every cameo-like line and feature
with that expression of absolute, flawless purity, found in the
angels and Madonnas of old paintings, a purity that held in it no
faintest strain of earthliness. Her head was bare, and her
thick, jet-black hair was parted above her forehead and hung in
two heavy lustrous braids over her shoulders. Her eyes were of
such a blue as Eric had never seen in eyes before, the tint of
the sea in the still, calm light that follows after a fine
sunset; they were as luminous as the stars that came out over
Lindsay Harbour in the afterglow, and were fringed about with
very long, soot-black lashes, and arched over by most delicately
pencilled dark eyebrows. Her skin was as fine and purely tinted
as the heart of a white rose. The collarless dress of pale blue
print she wore revealed her smooth, slender throat; her sleeves
were rolled up above her elbows and the hand which guided the bow
of her violin was perhaps the most beautiful thing about her,
perfect in shape and texture, firm and white, with rosy-nailed
taper fingers. One long, drooping plume of lilac blossom lightly
touched her hair and cast a wavering shadow over the flower-like
face beneath it.
There was something very child-like about her, and yet at least
eighteen sweet years must have gone to the making of her. She
seemed to be playing half unconsciously, as if her thoughts were
far away in some fair dreamland of the skies. But presently she
looked away from "the bourne of sunset," and her lovely eyes fell
on Eric, standing motionless before her in the shadow of the
apple tree.
The sudden change that swept over her was startling. She sprang
to her feet, the music breaking in mid-strain and the bow
slipping from her hand to the grass. Every hint of colour fled
from her face and she trembled like one of the wind-stirred June
lilies.
"I beg your pardon," said Eric hastily. "I am sorry that I have
alarmed you. But your music was so beautiful that I did not
remember you were not aware of my presence here. Please forgive
me."
He stopped in dismay, for he suddenly realized that the
expression on the girl's face was one of terror--not merely the
startled alarm of a shy, childlike creature who had thought
herself alone, but absolute terror. It was betrayed in her
blanched and quivering lips and in the widely distended blue eyes
that stared back into his with the expression of some trapped
wild thing.
It hurt him that any woman should look at him in such a fashion,
at him who had always held womanhood in such reverence.
"Don't look so frightened," he said gently, thinking only of
calming her fear, and speaking as he would to a child. "I will
not hurt you. You are safe, quite safe."
In his eagerness to reassure her he took an unconscious step
forward. Instantly she turned, and, without a sound, fled across
the orchard, through a gap in the northern fence and along what
seemed to be a lane bordering the fir wood beyond and arched over
with wild cherry trees misty white in the gathering gloom.
Before Eric could recover his wits she had vanished from his
sight among the firs.
He stooped and picked up the violin bow, feeling slightly foolish
and very much annoyed.
"Well, this is a most mysterious thing," he said, somewhat
impatiently. "Am I bewitched? Who was she? WHAT was she? Can
it be possible that she is a Lindsay girl? And why in the name
of all that's provoking should she be so frightened at the mere
sight of me? I have never thought I was a particularly hideous
person, but certainly this adventure has not increased my vanity
to any perceptible extent. Perhaps I have wandered into an
enchanted orchard, and been outwardly transformed into an ogre.
Now that I have come to think of it, there is something quite
uncanny about the place. Anything might happen here. It is no
common orchard for the production of marketable apples, that is
plain to be seen. No, it's a most unwholesome locality; and the
sooner I make my escape from it the better."
He glanced about it with a whimsical smile. The light was fading
rapidly and the orchard was full of soft, creeping shadows and
silences. It seemed to wink sleepy eyes of impish enjoyment at
his perplexity. He laid the violin bow down on the old bench.
"Well, there is no use in my following her, and I have no right
to do so even if it were of use. But I certainly wish she hadn't
fled in such evident terror. Eyes like hers were never meant to
express anything but tenderness and trust. Why--why--WHY was she
so frightened? And who--who--WHO--can she be?"
All the way home, over fields and pastures that were beginning to
be moonlight silvered he pondered the mystery.
"Let me see," he reflected. "Mr. Williamson was describing the
Lindsay girls for my benefit the other evening. If I remember
rightly he said that there were four handsome ones in the
district. What were their names? Florrie Woods, Melissa
Foster--no, Melissa Palmer--Emma Scott, and Jennie May Ferguson.
Can she be one of them? No, it is a flagrant waste of time and
gray matter supposing it. That girl couldn't be a Florrie or a
Melissa or an Emma, while Jennie May is completely out of the
question. Well, there is some bewitchment in the affair. Of
that I'm convinced. So I'd better forget all about it."
But Eric found that it was impossible to forget all about it.
The more he tried to forget, the more keenly and insistently he
remembered. The girl's exquisite face haunted him and the
mystery of her tantalized him.
True, he knew that, in all likelihood, he might easily solve the
problem by asking the Williamsons about her. But somehow, to his
own surprise, he found that he shrank from doing this. He felt
that it was impossible to ask Robert Williamson and probably have
the girl's name overflowed in a stream of petty gossip concerning
her and all her antecedents and collaterals to the third and
fourth generation. If he had to ask any one it should be Mrs.
Williamson; but he meant to find out the secret for himself if it
were at all possible.
He had planned to go to the harbour the next evening. One of the
lobstermen had promised to take him out cod-fishing. But instead
he wandered southwest over the fields again.
He found the orchard easily--he had half expected NOT to find it.
It was still the same fragrant, grassy, wind-haunted spot. But
it had no occupant and the violin bow was gone from the old
bench.
"Perhaps she tiptoed back here for it by the light o' the moon,"
thought Eric, pleasing his fancy by the vision of a lithe,
girlish figure stealing with a beating heart through mingled
shadow and moonshine. "I wonder if she will possibly come this
evening, or if I have frightened her away for ever. I'll hide me
behind this spruce copse and wait."
Eric waited until dark, but no music sounded through the orchard
and no one came to it. The keenness of his disappointment
surprised him, nay more, it vexed him. What nonsense to be so
worked up because a little girl he had seen for five minutes
failed to appear! Where was his common sense, his "gumption," as
old Robert Williamson would have said? Naturally a man liked to
look at a pretty face. But was that any reason why he should
feel as if life were flat, stale, and unprofitable simply because
he could not look at it? He called himself a fool and went home
in a petulant mood. Arriving there, he plunged fiercely into
solving algebraical equations and working out geometry exercises,
determined to put out of his head forthwith all vain imaginings
of an enchanted orchard, white in the moonshine, with lilts of
elfin music echoing down its long arcades.
The next day was Sunday and Eric went to church twice. The
Williamson pew was one of the side ones at the top of the church
and its occupants practically faced the congregation. Eric looked
at every girl and woman in the audience, but he saw nothing of
the face which, setting will power and common sense flatly at
defiance, haunted his memory like a star.
Thomas Gordon was there, sitting alone in his long, empty pew
near the top of the building; and Neil Gordon sang in the choir
which occupied the front pew of the gallery. He had a powerful
and melodious, though untrained voice, which dominated the
singing and took the colour out of the weaker, more commonplace
tones of the other singers. He was well-dressed in a suit of
dark blue serge, with a white collar and tie. But Eric idly
thought it did not become him so well as the working clothes in
which he had first seen him. He was too obviously dressed up,
and he looked coarser and more out of harmony with his
surroundings.
For two days Eric refused to let himself think of the orchard.
Monday evening he went cod-fishing, and Tuesday evening he went
up to play checkers with Alexander Tracy. Alexander won all the
games so easily that he never had any respect for Eric Marshall
again.
"Played like a feller whose thoughts were wool gathering," he
complained to his wife. "He'll never make a checker player--
never in this world."
